Friday, March 20, 2020

Nonstandard English Definition and Examples

Nonstandard English Definition and Examples Nonstandard English refers to any dialect of English other than Standard English  and is sometimes referred to as  nonstandard dialect or non-standard variety.  The term Nonstandard English is sometimes used disapprovingly  by non-linguists to describe bad or incorrect English. Examples and Observations It is no simple matter to define the difference between a standard and a nonstandard variety of language. However, for our purposes, we can define a standard dialect as one that draws no negative attention to itself... On the other hand, a nonstandard dialect does draw negative attention to itself; that is, educated people might judge the speaker of such a dialect as socially inferior, lacking education, and so on. A nonstandard dialect can thus be characterized as having socially marked forms, such as aint. A socially marked form is one that causes the listener to form a negative social judgment of the speaker.It is important to understand that identifying a dialect as standard or nonstandard is a sociological judgment, not a linguistic one.(F. Parker and K. Riley, Linguistics for Nons of widespread nonstandard grammatical forms in English include multiple negation.(Peter Trudgill, Introducing Language and Society. Penguin, 1992) In fiction nonstandard forms are mostly found in dialogue and they are used as a powerful tool to reveal character traits or social and regional differences.(Irma Taavitsainen, et al., Writing in Nonstandard English. John Benjamins, 1999) Nonstandard Usage in Huckleberry Finn I see Jim before me, all the time; in the day, and in the night-time, sometimes moonlight, sometimes storms, and we a floating along, talking, and singing, and laughing. But somehow I couldnt seem to strike no places to harden me against him, but only the other kind. Id see him standing my watch on top of hisn, stead of calling me, so I could go on sleeping; and see him how glad he was when I come back out of the fog; and when I come to him agin in the swamp, up there where the feud was; and suchlike times; and would always call me honey, and pet me, and do everything he could think of for me, and how good he always was. And at last I struck the time I saved him by telling the men we had smallpox aboard, and he was so grateful, and said I was the best friend old Jim ever had in the world, and the  only  one hes got now; and then I happened to look around, and see that paper.It was a close place. I took it up, and held it in my hand. I was a trembling, because Id got to decide, fo rever, betwixt two things, and I knowed it. I studied a minute, sort of holding my breath, and then says to myself:All right, then, Ill go to hell- and tore it up.(Mark Twain,  The Adventures of Huckleberry Finn, 1884) The kinds of errors that Huck makes [in The Adventures of Huckleberry Finn] are by no means haphazard; Twain carefully placed them to suggest Hucks basic illiteracy but not to overwhelm the reader. Nonstandard verb forms constitute Hucks most typical mistakes. He often uses the present form or past participle for the simple past tense, for example, see or seen for saw; his verbs frequently do not agree with their subjects in number and person; and he often shifts tense within the same sequence.(Janet Holmgren McKay, An Art So High: Style in Adventures of Huckleberry Finn. New Essays on Adventures of Huckleberry Finn, ed. by Louis J. Budd. Cambridge Univ. Press, 1985) The Stigma of Nonstandard English We should not be so naive... as to begin thinking that nonstandard English will ever shed its stigma. Many who argue against teaching Standard conventions seem to believe it will. The reality is that failure to teach the conventions of Standard and formal Standard English in our classes is unlikely to have any effect on societys attitudes toward speakers of nonstandard English, but it will most certainly have an effect on our students lives. Their horizons will be limited, and many at the bottom of the socioeconomic scale will remain ghettoized. On this basis alone, I would argue that we must push students to reach their full potential, especially with regard to language. Our society is growing ever more competitive, not less, and Standard English, because it is inclusive rather than limiting, is a basic requirement for social and economic opportunities.(James D. Williams, The Teachers Grammar Book, 2nd ed. Routledge, 2005)

Wednesday, March 4, 2020

The Yellow Wallpaper by Charlotte Perkins Gilman

The Yellow Wallpaper by Charlotte Perkins Gilman Charlotte Perkins Gilman’s 1892 short story â€Å"​The Yellow Wallpaper,† tells the tale of an unnamed woman slipping slowly deeper into a state of hysteria. A husband takes his wife away from society and isolates her in a rented house on a small island in order to cure her â€Å"nerves.† He leaves her alone, more often than not, except for her prescribed medication, while seeing to his own patients.​ The mental breakdown that she eventually experiences, likely triggered by postpartum depression, is supported by various outside factors which present themselves over time. It is probable that, had doctors been more knowledgeable of the illness at the time, the main character would have been successfully treated and sent on her way. However, due in large part to the influences of other characters, her depression develops into something much deeper and darker. A type of chasm forms in her mind, and we witness as the real world and a fantasy world merge. â€Å"The Yellow Wallpaper† is a superb description of the misunderstanding of postpartum depression before the 1900s but can also act in the context of today’s world. At the time this short story was written, Gilman was aware of the lack of understanding surrounding postpartum depression. She created a character that would shine a light on the issue, particularly for men and doctors who claimed to know more than they actually did. Gilman humorously hints at this idea in the opening of the story when she writes, â€Å"John is a physician and perhaps that is one reason I do not get well faster.† Some readers may interpret that statement as something a wife would say to poke fun at her know-it-all husband, but the fact remains that many doctors were doing more harm than good when it came to treating (postpartum) depression. Increasing the danger and difficulty is the fact that she, like many women in America at the time, was absolutely under the control of her husband: He said I was his darling and his comfort and all he had, and that I must take care of myself for his sake, and keep well. He says no one but me can help myself out of it, that I must use my will and self-control and not let any silly fancies run away with me. We see by this example alone that her state of mind is dependent upon the needs of her husband. She believes that it is entirely up to her to fix what is wrong with her, for the good of her husband’s sanity and health. There is no desire for her to get well on her own, for her own sake. Further on in the story, when our character begins to lose sanity, she makes the claim that her husband â€Å"pretended to be very loving and kind. As if I couldn’t see through him.† It is only as she loses her grip on reality that she realizes her husband has not been caring for her properly. Although depression has become more understood in the past half-century or so, Gilman’s â€Å"The Yellow Wallpaper† has not become obsolete. The story can speak to us, in the same way, today about other concepts related to health, psychology, or identity that many people do not fully understand. â€Å"The Yellow Wallpaper† is a story about a woman, about all women, who suffer from postpartum depression and become isolated or misunderstood. These women were made to feel as if there was something wrong with them, something shameful that had to be hidden away and fixed before they could return to society. Gilman suggests that no one has all the answers; we must trust ourselves and seek help in more than one place, and we should value the roles we can play, of friend or lover, while allowing professionals, like doctors and counselors, to do their jobs. Gilman’s â€Å"The Yellow Wallpaper† is a bold statement about humanity. She’s shouting for us to tear down the paper that separates us from each other, from ourselves, so that we may help without inflicting more pain: â€Å"I’ve got out at last, in spite of you and Jane. And I’ve pulled off most of the paper, so you can’t put me back.†